Point of View: Why Narrative Perspective Can Make or Break Your Story
Written by Leslie WattsEdited by Shawn Coyne
Finding the right point of view is one of the most important—and least understood—challenges writers face.
Point of view extends far beyond the choice of first, second, or third person. POV determines all that a reader knows about the world inside a story. Is the murder told from the criminal’s, the detective’s, or the victim’s vantage point? An awful lot rides on that decision.
In short, a story’s point of view guides the characters, message, and events that matter.
In Point of View: Why Narrative Perspective Can Make or Break Your Story, Story Grid Publishing Editor-in-Chief Leslie Watts provides examples from dozens of masterworks to help writers understand telling and showing points of view and narrative devices. Does a telling narrator live inside or outside the story? Is the focus of a showing POV external or internal? Every choice has an impact.
Watts offers a revolutionary approach to point of view, demonstrating how deep study of narrative perspective can empower and uplift storytellers themselves. When writers truly master point of view they can share the messages they want to share and bring their stories to life.
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Leslie Watts is a certified Story Grid editor, writer, and podcaster. She’s been writing for as long as she can remember: from her sixth-grade magazine about cats to writing practice while drafting opinions for an appellate court judge.
When the dust settled after her children were born, she launched Writership.com to help writers unearth the treasure in their manuscripts. She believes writers become better storytellers through practice, and that editors owe a duty of care to help writers with specific and supportive guidance to meet reader expectations and express their unique gifts in the world.
Shawn Coyne is a writer, editor, and publishing professional with over 30 years of experience. He has analyzed, acquired, edited, written, marketed, represented, or published 374 books with many dozens of bestsellers across all genres, and generated over $150,000,000 of revenue.
He graduated in 1986 with a degree in Biology from Harvard College, with a distinction of Magna Cum Laude for his thesis laboratory research work at the Charles A. Dana Laboratory of Toxicology at the Harvard School of Public Health. After Coyne left the laboratory, his findings were acknowledged and served as the inspiration for Mandana Sassanfar and Leona Samson’s Identification and Preliminary Characterization of an 06-Methylguanine DNA Repair Methyltransferase in the Yeast Saccharomyces cerevisiae publication in the venerable The Journal of Biological Chemistry (Vol. 265, No. 1, Issue of January 5, pp. 20-25, 1990).
In 1991, early in his publishing career, Coyne began an independent investigation into the structure, function and organization of narrative, which he has since coined Simulation Synthesis Theory. His synoptic integration of Aristotle’s Poetics, Freytag’s The Technique of the Drama, Campbell’s Hero with a Thousand Faces, McKee’s Story, among many other story structure investigations with contemporary cognitive science, quantum information theory, cybernetics, evolutionary theory, behavioral psychology, Peircean and Jamesian pragmatism, Jungian depth psychology, Theologian and Philosopher Paul Tillich's conception of "ultimate concern," and fighter pilot John Boyd’s OODA loop serves as philosophical, scientific and spiritual foundations for his teaching.
In 2015, he created Story Grid Methodology to begin teaching and further developing Simulation Synthesis Theory. Since then he has given lectures on the origin of story, the integration of storytelling and science, and the necessity of telling complex stories to thousands of students all over the world.
In addition to The Story Grid and Mentoring the Machines, he’s authored, coauthored or ghost-written numerous bestselling nonfiction and fiction titles. His most recent lecture series, “Genre Blueprint” applies his Simulation Synthesis Theory to popular works such as The Hobbit by J.R.R. Tolkien and The Matrix by Lara and Lana Wachowski.